Whitman, as Printed

‹ Leaves of Grass, 1891–92

The lines with “an”

an 152 Back to A

  1. p. 12, line 22The substance of an artist's mood or savan's studies long,
  2. p. 14, line 8An image, an eidólon.
  3. p. 19, line 22For me an audience interminable.
  4. p. 21, line 21And I will report all heroism from an American point of view.
  5. p. 31, line 13Not an inch nor a particle of an inch is vile, and none shall be less familiar than the rest.
  6. p. 32, line 9Looks down, is erect, or bends an arm on an impalpable certain rest,
  7. p. 34, line 15I am not an earth nor an adjunct of an earth,
  8. p. 37, line 14An unseen hand also pass'd over their bodies,
  9. p. 38, line 22Ya-honk he says, and sounds it down to me like an invitation,
  10. p. 47, line 11The wonder is always and always how there can be a mean man or an infidel.
  11. p. 47, line 27I but enter by them to an area of my dwelling.
  12. p. 59, line 18How he knuckled tight and gave not back an inch, and was faith ful of days and faithful of nights,
  13. p. 60, line 23I am an old artillerist, I tell of my fort's bombardment,
  14. p. 61, line 16They treated for an honorable capitulation, receiv'd writing and seal, gave up their arms and march'd back prisoners of war.
  15. p. 62, line 7Would you hear of an old-time sea-fight?
  16. p. 63, line 18The dead face of an old salt with long white hair and carefully curl'd whiskers,
  17. p. 65, line 5I troop forth replenish'd with supreme power, one of an average unending procession,
  18. p. 66, line 24Every room of the house do I fill with an arm'd force,
  19. p. 71, line 17I am an acme of things accomplish'd, and I an encloser of things to be.
  20. p. 71, line 18My feet strike an apex of the apices of the stairs,
  21. p. 72, line 6For it the nebula cohered to an orb,
  22. p. 75, line 16The nearest gnat is an explanation, and a drop or motion of waves a key,
  23. p. 76, line 11And to glance with an eye or show a bean in its pod confounds the learning of all times,
  24. p. 90, line 10Two sleepers at night lying close together as they sleep, one with an arm slanting down across and below the waist of the other,
  25. p. 92, line 22As for an hour carrying us diverse, yet cannot carry us diverse forever;
  26. p. 97, line 7I will give an example to lovers to take permanent shape and will through the States,
  27. p. 100, line 17Not in many an oath and promise broken,
  28. p. 109, line 1A GLIMPSE through an interstice caught,
  29. p. 109, line 16For an athlete is enamour'd of me, and I of him,
  30. p. 126, line 8You but arrive at the city to which you were destin'd, you hardly settle yourself to satisfaction before you are call'd by an irresistible call to depart,
  31. p. 129, line 11Clouds of the west—sun there half an hour high—I see you also face to face.
  32. p. 130, line 4Fifty years hence, others will see them as they cross, the sun half an hour high,
  33. p. 135, line 21Every existence has its idiom, every thing has an idiom and tongue,
  34. p. 136, line 10And the authors take him for an author, and the artists for an artist,
  35. p. 140, line 8Northward, young men of Mannahatta, the target company from an excursion returning home at evening, the musket-muzzles all bear bunches of flowers presented by women;
  36. p. 142, line 1In Kanadian forests the moose, large as an ox, corner'd by hunters, rising desperately on his hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—and I, plunging at the hunters, corner'd and desperate,
  37. p. 148, line 23Long varied train of an emblem, dabs of music,
  38. p. 151, line 19The sack of an old city in its time,
  39. p. 158, line 20Join'd with an irresistible, natural gravitation,
  40. p. 159, line 13Arthur vanish'd with all his knights, Merlin and Lancelot and Galahad, all gone, dissolv'd utterly like an exhalation;
  41. p. 180, line 22He and the rest shall not forget you, they shall perceive that you are not an iota less than they,
  42. p. 182, line 2An uncaught bird is ever hovering, hovering,
  43. p. 187, line 19No pleasure waiting for others, but an equal pleasure waits for you.
  44. p. 188, line 3The hopples fall from your ankles, you find an unfailing sufficiency,
  45. p. 189, line 15Not for an embroiderer,
  46. p. 190, line 16I henceforth tread the world chaste, temperate, an early riser, a steady grower,
  47. p. 190, line 23I would sing how an old man, tall, with white hair, mounted the scaffold in Virginia,
  48. p. 205, line 18An ocean-bell—O a warning bell, rock'd by the waves.
  49. p. 218, line 6HAST never come to thee an hour,
  50. p. 221, line 1War! an arm'd race is advancing! the welcome for battle, no turning away;
  51. p. 221, line 2War! be it weeks, months, or years, an arm'd race is advancing to welcome it.
  52. p. 227, line 9The Continent, devoting the whole identity without reserving an atom,
  53. p. 227, line 23May they stand fast, then? not an hour except you above them and all stand fast;)
  54. p. 228, line 8Out of reach, an idea only, yet furiously fought for, risking bloody death, loved by me,
  55. p. 234, line 6While scornfully laugh'd many an arrogant lord off against us encamp'd,
  56. p. 235, line 8In the midst of you stands an encampment very old,
  57. p. 236, line 2With now the sound of a single shot snapping like a whip, and now an irregular volley,
  58. p. 236, line 12Like a phantom far or near an occasional figure moving,
  59. p. 239, line 5We come to an open space in the woods, and halt by the dim-lighted building,
  60. p. 239, line 6'Tis a large old church at the crossing roads, now an impromptu hospital,
  61. p. 239, line 18An occasional scream or cry, the doctor's shouted orders or calls,
  62. p. 241, line 15AN old man bending I come among new faces,
  63. p. 242, line 25An attendant follows holding a tray, he carries a refuse pail,
  64. p. 244, line 12Give me an arbor, give me the trellis'd grape,
  65. p. 245, line 18O such for me! O an intense life, full to repletion and varied!
  66. p. 247, line 10From Maine and from hot Carolina, and another an Oregonese, shall be friends triune,
  67. p. 247, line 21Or by an agreement on a paper? or by arms?
  68. p. 255, line 18In the dooryard fronting an old farm-house near the white-wash'd palings,
  69. p. 268, line 16An offal rank, to the dunghill maggots spurn'd.)
  70. p. 272, line 16In the need of songs, philosophy, an appropriate native grand-opera, shipcraft, any craft,
  71. p. 279, line 23For an army heaves in sight, O another gathering army,
  72. p. 284, line 7FAR hence amid an isle of wondrous beauty,
  73. p. 284, line 8Crouching over a grave an ancient sorrowful mother,
  74. p. 284, line 11At her feet fallen an unused royal harp,
  75. p. 284, line 18It was an illusion, the son you love was not really dead,
  76. p. 284, line 27I curious pause, for lo, an outcast form, a poor dead prostitute brought,
  77. p. 285, line 14Months, years, an echoing, garnish'd house—but dead, dead, dead.
  78. p. 296, line 2Thy name an earth, with mountains, fields and tides.
  79. p. 300, line 1My girl I appoint with you an appointment, and I charge you that you make preparation to be worthy to meet me,
  80. p. 302, line 6The group, (an unminded point set in a vast surrounding,)
  81. p. 302, line 14Do you not see how it would serve to have such a body and soul that when you enter the crowd an atmosphere of desire and command enters with you, and every one is impress'd with your Personality?
  82. p. 304, line 22Nor plann'd and built one thing after another as an architect plans and builds a house.
  83. p. 308, line 1AN old man's thought of school,
  84. p. 308, line 2An old man gathering youthful memories and blooms that youth itself cannot.
  85. p. 313, line 11I hear in the William Tell the music of an arous'd and angry people,
  86. p. 330, line 1A show of the summer softness—a contact of something unseen—an amour of the light and air,
  87. p. 332, line 19LET the reformers descend from the stands where they are forever bawling—let an idiot or insane person appear on each of the stands;
  88. p. 333, line 11Not a day passes, not a minute or second without an accouchement,
  89. p. 333, line 15The physician after long putting off gives the silent and terrible look for an answer,
  90. p. 334, line 12A hearse and stages, the funeral of an old Broadway stage-driver, the cortege mostly drivers.
  91. p. 335, line 18The earth is not an echo, man and his life and all the things of his life are well-consider'd.
  92. p. 337, line 20I swear I think now that every thing without exception has an eternal soul!
  93. p. 339, line 23Young and strong I pass knowing well I am destin'd myself to an early death;
  94. p. 347, line 17But an odor I'd bring as from forests of pine in Maine, or breath of an Illinois prairie,
  95. p. 348, line 8Thou that lay folded like an unborn babe within its folds so long,
  96. p. 350, line 6Thee in an education grown of thee, in teachers, studies, students, born of thee,
  97. p. 353, line 9The face of an amour, the face of veneration,
  98. p. 353, line 10The face as of a dream, the face of an immobile rock,
  99. p. 353, line 24This is a face of bitter herbs, this an emetic, they need no label,
  100. p. 354, line 1This face is an epilepsy, its wordless tongue gives out the unearthly cry,
  101. p. 354, line 8An unceasing death-bell tolls there.
  102. p. 355, line 28She sits in an armchair under the shaded porch of the farmhouse,
  103. p. 359, line 17Thy madly-whistled laughter, echoing, rumbling like an earthquake, rousing all,
  104. p. 360, line 6I pass rude sea-headlands and enter Pamlico sound through an inlet, and dart my vision inland;
  105. p. 361, line 3Rich, hemm'd thick all around with sailships and steamships, an island sixteen miles long, solid-founded,
  106. p. 362, line 15Open but still a secret, the real of the real, an illusion,
  107. p. 377, line 10Absorb them well O my earth, she cried, I charge you lose not my sons, lose not an atom,
  108. p. 377, line 20Exhale me them centuries hence, breathe me their breath, let not an atom be lost,
  109. p. 377, line 21O years and graves! O air and soil! O my dead, an aroma sweet!
  110. p. 379, line 6Of many an aspiration fond, of many a dream and plan;
  111. p. 381, line 9I announce an end that shall lightly and joyfully meet its translation.
  112. p. 382, line 22An unknown sphere more real than I dream'd, more direct, darts awakening rays about me, So long!
  113. p. 384, line 73[…] Flame, 402 The Dismantled Ship, 403 Now Precedent Songs, Farewell, 403 An Evening Lull, 403 Old Age's Lambent Peaks, 404 After the Supper and […]
  114. p. 385, line 20Quench'd by an early death.
  115. p. 389, line 1Steaming the northern rapids—(an old St. Lawrence reminiscence,
  116. p. 397, line 2(Now buried in an English grave—and this a memory-leaf for her dear sake,)
  117. p. 397, line 6"Life, life an endless march, an endless army, (no halt, but it is duly over,)
  118. p. 398, line 22As soldier from an ended war return'd—As traveler out of myriads, to the long procession retrospective,
  119. p. 399, line 2Which, strange to tell, gave me an answer, as here translated:
  120. p. 403, line 3An old, dismasted, gray and batter'd ship, disabled, done,
  121. p. 406, line 12[…] Twain, 410. My 71st Year, 410. Apparitions, 410. The Pallid Wreath, 411. An Ended Day, 411. Old Age's Ship & Crafty Death's, 412. To the Pending […]
  122. p. 411, line 31[…] a phrase I heard from a surgeon describing an old sailor's death under peculiarly gentle conditions […]
  123. p. 414, line 17AN ancient song, reciting, ending,
  124. p. 415, line 29An old man's garrulous lips among the rest, Think not we give out yet,
  125. p. 418, line 6A day—a passing moment or an hour—America itself bends low,
  126. p. 418, line 30Under an ancient chestnut-tree wide spreading its branches,
  127. p. 427, line 17[…] have unwittingly taken up that challenge and made an attempt at such statements—which I certainly would not assume […]
  128. p. 427, line 37[…] has changed. As I write, I see in an article on Wordsworth, in one of the current English magazines […]
  129. p. 427, line 38[…] English magazines, the lines, "A few weeks ago an eminent French critic said that, owing to the special tendency […]
  130. p. 432, line 30[…] have it yet,) containing Walter Scott's poetry entire—an inexhaustible mine and treasury of poetic forage (especially the endless […]
  131. p. 433, line 7[…] it happen'd, I read the latter mostly in an old wood. The Iliad (Buckley's prose version,) I read first […]
  132. p. 433, line 16[…] Edgar Poe's poems—of which I was not an admirer, tho' I always saw that beyond their limited range […]
  133. p. 433, line 27Another point had an early settlement, clearing the ground greatly. I saw, from the […]
  134. p. 433, line 33[…] from straying however far a distance, must be an identical body and soul, a personality—which personality, after many […]
  135. p. 434, line 4[…] war's sights and scenes the final reasons-for-being of an autochthonic and passionate song definitely came forth […]
  136. p. 435, line 17[…] my verse. I think this pride indispensable to an American. I think it not inconsistent with obedience, humility, deference […]
  137. p. 435, line 33[…] to be endangering, perhaps eliminating. But that forms an appearance only; the reality is quite different. The new influences […]
  138. p. 435, line 41Without yielding an inch the working-man and working-woman were to be in my […]
  139. p. 436, line 23[…] towards the thought and fact of sexuality, as an element in character, personality, the emotions, and a theme in […]
  140. p. 436, line 30[…] the human body and soul must remain as an entirety […]
  141. p. 437, line 9[…] should directly or indirectly be or connive at an implicit belief in the wisdom, health, mystery, beauty of every […]
  142. p. 437, line 40As the present is perhaps mainly an attempt at personal statement or illustration, I will allow myself […]
  143. p. 438, line 10[…] of my own emotional and other personal nature—an attempt, from first to last, to put a Person, a […]